{"id":239,"date":"2018-01-27T19:45:11","date_gmt":"2018-01-27T18:45:11","guid":{"rendered":"https:\/\/www.musicapalazzo.com\/?page_id=239"},"modified":"2020-09-01T18:31:19","modified_gmt":"2020-09-01T16:31:19","slug":"il-barbiere-di-siviglia","status":"publish","type":"page","link":"https:\/\/www.musicapalazzo.com\/it\/il-barbiere-di-siviglia\/","title":{"rendered":"Il barbiere di Siviglia"},"content":{"rendered":"

[vc_row content_width=”grid” css=”.vc_custom_1498589662520{padding-top: 32px !important;padding-bottom: 32px !important;background-image: url(https:\/\/www.musicapalazzo.com\/files\/musicapalazzo.com\/2017\/06\/header-1.jpg?id=262) !important;}” el_class=”map-show-intro”][vc_column][vc_empty_space height=”400px”][vc_column_text]<\/p>\n

Il barbiere di Siviglia<\/h1>\n

musica di Gioachino Rossini<\/p>\n

<\/div>
<\/g> <\/svg>
Valutazione di Google<\/div> 4.7<\/span> <\/path><\/svg><\/span><\/path><\/svg><\/span><\/path><\/svg><\/span><\/path><\/svg><\/span><\/path><\/svg><\/span><\/span><\/span> <\/div> <\/div> <\/div>
Palace Music<\/span><\/a> <\/div>
4.7<\/span> <\/path><\/svg><\/span><\/path><\/svg><\/span><\/path><\/svg><\/span><\/path><\/svg><\/span><\/path><\/svg><\/span><\/span><\/span> <\/div> <\/div> <\/div>
<\/div>
Aidan Leach<\/div>
08:56 21 Oct 18<\/div>
<\/path><\/svg><\/span><\/path><\/svg><\/span><\/path><\/svg><\/span><\/path><\/svg><\/span><\/path><\/svg><\/span><\/span><\/span> Simply amazing. We saw the Barber of Seville, and you become part of the opera in its intimate setting. The singing and music was excellent, the old palace rooms that each scene were set in were lovely. Be warned if you sit in the front row, you actually will be involved. Figaro combed my hair, the Count left me with his wine bottle and used me to fend off the attack from the Doctor, and then made stink eyes at me in an overstated comical way for the rest of the night. I have never laughed so hard at the opera!<\/span> <\/div> <\/div> <\/div>
Ed Zito<\/div>
08:49 30 Aug 18<\/div>
<\/path><\/svg><\/span><\/path><\/svg><\/span><\/path><\/svg><\/span><\/path><\/svg><\/span><\/path><\/svg><\/span><\/span><\/span> Outstanding performance and experience!Usually not a fan of opera but this is different. Up close and personal with great view and seating. You feel like part of the show.A must do!<\/span> <\/div> <\/div> <\/div>
Kasey Kilgore<\/div>
03:19 23 Oct 18<\/div>
<\/path><\/svg><\/span><\/path><\/svg><\/span><\/path><\/svg><\/span><\/path><\/svg><\/span><\/path><\/svg><\/span><\/span><\/span> An absolutely fantastic experience! An intimate Opera as might have been seen\/heard a century ago in the private salon of a Venetian noble.<\/span> <\/div> <\/div> <\/div>
Frank Levy<\/div>
20:27 03 Aug 18<\/div>
<\/path><\/svg><\/span><\/path><\/svg><\/span><\/path><\/svg><\/span><\/path><\/svg><\/span><\/path><\/svg><\/span><\/span><\/span> Up to the first intermission was good. Then after the second intermission the chairs became way too uncomfortable and it was way too hot. Had to leave as we were very, very uncomfortable. The first section is also the most familiar to non-expert opera attendees. If it was 1\/3 the length it would have been perfect. Or better chairs or air conditioning. It was nice and cool at the start but quickly warms up.<\/span> <\/div> <\/div> <\/div>
Darrell Thomas<\/div>
11:42 08 Jul 18<\/div>
<\/path><\/svg><\/span><\/path><\/svg><\/span><\/path><\/svg><\/span><\/path><\/svg><\/span><\/path><\/svg><\/span><\/span><\/span> This was the highlight of our trip to Venice. Such a great experience. The performers were very talented, and simply approaching the entrance to the building had a feeling of exclusivity that you may not get at other shows. It's a bit pricey if you don't think you'll be returning to Venice to use your membership for future shows, but it's still worth every penny.<\/span> <\/div> <\/div> <\/div> <\/div> Guarda tutte le recensioni<\/a> <\/div> <\/div>
\"powered <\/div> <\/div> <\/div> <\/div>[\/vc_column_text][vc_empty_space]\n PRENOTA ORA<\/span> <\/span>\n <\/span>\n<\/a>[\/vc_column][\/vc_row][vc_row content_width=”grid” content_aligment=”center” css=”.vc_custom_1489690702348{margin-top: 64px !important;margin-bottom: 64px !important;}”][vc_column width=”1\/3″][vc_single_image image=”263″ img_size=”full” style=”vc_box_circle”][\/vc_column][vc_column width=”7\/12″ offset=”vc_col-sm-offset-1″][vc_empty_space height=”110px”][vc_column_text]<\/p>\n

“Quattro musicisti riescono in ci\u00f2 che normalmente necessita di un\u2019intera orchestra\u2026 \u00e8 un\u2019esperienza completamente nuova!”<\/em><\/h1>\n

WELTEXPRESS<\/span><\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row content_width=”grid”][vc_column css=”.vc_custom_1489690693038{margin-top: 64px !important;margin-bottom: 64px !important;}”][vc_column_text]<\/p>\n

Il barbiere di Siviglia<\/h1>\n

melodramma buffo in due atti<\/span>
\nmusica di Gioachino Rossini<\/span>
\nsu libretto di Cesare Sterbini<\/span><\/p>\n

[\/vc_column_text][vc_empty_space][vc_row_inner][vc_column_inner width=”1\/2″ css=”.vc_custom_1500575510001{border-left-width: 1px !important;padding-top: 8px !important;padding-bottom: 8px !important;border-left-color: #cc9933 !important;border-left-style: solid !important;}”][vc_column_text]Il barbiere di Siviglia<\/em> \u00e8 un\u2019opera lirica di Gioachino Rossini su libretto di Cesare Sterbini tratto dalla commedia omonima di Pierre-Augustin Caron de Beaumarchais.
\nL\u2019azione si svolge nel XVII secolo, le sale di Palazzo Barbarigo-Minotto quindi sono un ideale palcoscenico arricchito dal naturale complemento dei suoi magnifici arredi barocchi.
\nI due atti dell\u2019opera vengono rappresentati in tre diversi saloni: Portego (salone centrale), Sala Tiepolo e la Camera con l\u2019Alcova; nell\u2019intervallo \u00e8 possibile apprezzare la bellezza delle sale che si affacciano sul Canal Grande.
\nLa struttura architettonica del palazzo, con le sue innumerevoli porte in legno pregiato, consente agli artisti di muoversi utilizzando lo spazio scenico \u201ca tutto tondo\u201d rendendo il pubblico pienamente partecipe a la pi\u00f9 divertente tra le opere rossiniane.
\nGli ambienti sono illuminati dalle candele e i raffinati costumi, disegnati da Antony Knight, sono ispirati a quelli dell\u2019epoca e realizzati con stoffe di gran pregio.
\nLa esilarante regia e i virtuosismi canori e strumentali assicurano allo spettatore una serata di spumeggiante allegria.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″ css=”.vc_custom_1500575516336{border-left-width: 1px !important;padding-top: 8px !important;padding-bottom: 8px !important;border-left-color: #cc9933 !important;border-left-style: solid !important;}” offset=”vc_col-sm-offset-2″][vc_column_text]QUANDO<\/strong>
\nOgni mercoled\u00ec e domenica.<\/p>\n

DURATA<\/strong>
\nCirca 2 ore, incluso l\u2019intervallo. Inizio spettacolo ore 20:30.<\/p>\n

INTERVALLO<\/strong>
\nNelle sale che si affacciano sul Canal Grande, durante l\u2019intervallo, i nostri ospiti potranno gustare liberamente vini di qualit\u00e0 e soft drink a loro offerti.<\/p>\n

LINGUA<\/strong>
\nItaliano senza sottotitoli[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_empty_space]\n PRENOTA ORA<\/span> <\/span>\n <\/span>\n<\/a>[\/vc_column][\/vc_row][vc_row css=”.vc_custom_1490121323557{margin-top: 64px !important;}” el_class=”map-show-quotes”][vc_column el_class=”image-overlay-container” offset=”vc_hidden-sm vc_hidden-xs”]

\n\t
<\/div>\n\t
\n\t\t
\n\t\t\t\t\t\t[vc_raw_html]JTNDZGl2JTIwY2xhc3MlM0QlMjJpbWFnZS1vdmVybGF5JTIyJTNFJTNDJTJGZGl2JTNF[\/vc_raw_html]\t\t\t\t\t<\/div>\n\t<\/div>\n<\/div>
\n\t
<\/div>\n\t
\n\t\t
\n\t\t\t\t\t\t[vc_column_text]<\/p>\n

“Stupendi stucchi affumicati dal tempo, affreschi, sono la cornice perfetta per un tuffo nel passato sull\u2019onda di musiche romantiche e coinvolgenti.”<\/h1>\n

IL GAZZETTINO[\/vc_column_text]\t\t\t\t\t<\/div>\n\t<\/div>\n<\/div><\/div>

\n\t
<\/div>\n\t
\n\t\t
\n\t\t\t\t\t\t[vc_column_text]<\/p>\n

“The music seemed to bounce right off the walls, and the farce made perfect sense in this architectural context. We, the audience, felt a part of it, as if watching this great yet silly work of art play out by candlelight on a chilly, lively evening in 1816.”<\/h1>\n

ASPIRE[\/vc_column_text]\t\t\t\t\t<\/div>\n\t<\/div>\n<\/div>

\n\t
<\/div>\n\t
\n\t\t
\n\t\t\t\t\t\t[vc_raw_html]JTNDZGl2JTIwY2xhc3MlM0QlMjJpbWFnZS1vdmVybGF5JTIyJTNFJTNDJTJGZGl2JTNF[\/vc_raw_html]\t\t\t\t\t<\/div>\n\t<\/div>\n<\/div><\/div>
\n\t
<\/div>\n\t
\n\t\t
\n\t\t\t\t\t\t[vc_raw_html]JTNDZGl2JTIwY2xhc3MlM0QlMjJpbWFnZS1vdmVybGF5JTIyJTNFJTNDJTJGZGl2JTNF[\/vc_raw_html]\t\t\t\t\t<\/div>\n\t<\/div>\n<\/div>
\n\t
<\/div>\n\t
\n\t\t
\n\t\t\t\t\t\t[vc_column_text]<\/p>\n

“Hang onto your prosecco and brace for impact: in historic salons, the soprano\u2019s high notes imperil glassware, and thundering baritones reverberate through inlaid floors.”<\/h1>\n

LONELY PLANET[\/vc_column_text]\t\t\t\t\t<\/div>\n\t<\/div>\n<\/div><\/div>

\n\t
<\/div>\n\t
\n\t\t
\n\t\t\t\t\t\t[vc_column_text]<\/p>\n

“The quality of the music, the splendour of the setting, the power and passion of the singing!”<\/h1>\n

THE DAILY TELEGRAPH\f[\/vc_column_text]\t\t\t\t\t<\/div>\n\t<\/div>\n<\/div>

\n\t
<\/div>\n\t
\n\t\t
\n\t\t\t\t\t\t[vc_raw_html]JTNDZGl2JTIwY2xhc3MlM0QlMjJpbWFnZS1vdmVybGF5JTIyJTNFJTNDJTJGZGl2JTNF[\/vc_raw_html]\t\t\t\t\t<\/div>\n\t<\/div>\n<\/div><\/div>[\/vc_column][\/vc_row][vc_row el_class=”map-show-quotes” css=”.vc_custom_1498588629969{background-color: #000000 !important;}”][vc_column el_class=”image-overlay-container” offset=”vc_hidden-lg vc_hidden-md” css=”.vc_custom_1497373888179{margin-top: 64px !important;}”]
\n\t
<\/div>\n\t
\n\t\t
\n\t\t\t\t\t\t