{"id":295,"date":"2018-01-27T19:45:11","date_gmt":"2018-01-27T18:45:11","guid":{"rendered":"https:\/\/www.musicapalazzo.com\/fr\/?page_id=295"},"modified":"2018-11-06T18:40:52","modified_gmt":"2018-11-06T17:40:52","slug":"le-barbier-de-seville","status":"publish","type":"page","link":"https:\/\/www.musicapalazzo.com\/fr\/le-barbier-de-seville\/","title":{"rendered":"Le Barbier de S\u00e9ville"},"content":{"rendered":"

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Le Barbier de S\u00e9ville<\/h1>\n

de Gioachino Rossini<\/p>\n

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Evaluations Google<\/div> 4.7<\/span> <\/path><\/svg><\/span><\/path><\/svg><\/span><\/path><\/svg><\/span><\/path><\/svg><\/span><\/path><\/svg><\/span><\/span><\/span> <\/div> <\/div> <\/div>
Palace Music<\/span><\/a> <\/div>
4.7<\/span> <\/path><\/svg><\/span><\/path><\/svg><\/span><\/path><\/svg><\/span><\/path><\/svg><\/span><\/path><\/svg><\/span><\/span><\/span> <\/div> <\/div> <\/div>
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Aidan Leach<\/div>
08:56 21 Oct 18<\/div>
<\/path><\/svg><\/span><\/path><\/svg><\/span><\/path><\/svg><\/span><\/path><\/svg><\/span><\/path><\/svg><\/span><\/span><\/span> Simply amazing. We saw the Barber of Seville, and you become part of the opera in its intimate setting. The singing and music was excellent, the old palace rooms that each scene were set in were lovely. Be warned if you sit in the front row, you actually will be involved. Figaro combed my hair, the Count left me with his wine bottle and used me to fend off the attack from the Doctor, and then made stink eyes at me in an overstated comical way for the rest of the night. I have never laughed so hard at the opera!<\/span> <\/div> <\/div> <\/div>
Ed Zito<\/div>
08:49 30 Aug 18<\/div>
<\/path><\/svg><\/span><\/path><\/svg><\/span><\/path><\/svg><\/span><\/path><\/svg><\/span><\/path><\/svg><\/span><\/span><\/span> Outstanding performance and experience!Usually not a fan of opera but this is different. Up close and personal with great view and seating. You feel like part of the show.A must do!<\/span> <\/div> <\/div> <\/div>
Kasey Kilgore<\/div>
03:19 23 Oct 18<\/div>
<\/path><\/svg><\/span><\/path><\/svg><\/span><\/path><\/svg><\/span><\/path><\/svg><\/span><\/path><\/svg><\/span><\/span><\/span> An absolutely fantastic experience! An intimate Opera as might have been seen\/heard a century ago in the private salon of a Venetian noble.<\/span> <\/div> <\/div> <\/div>
Frank Levy<\/div>
20:27 03 Aug 18<\/div>
<\/path><\/svg><\/span><\/path><\/svg><\/span><\/path><\/svg><\/span><\/path><\/svg><\/span><\/path><\/svg><\/span><\/span><\/span> Up to the first intermission was good. Then after the second intermission the chairs became way too uncomfortable and it was way too hot. Had to leave as we were very, very uncomfortable. The first section is also the most familiar to non-expert opera attendees. If it was 1\/3 the length it would have been perfect. Or better chairs or air conditioning. It was nice and cool at the start but quickly warms up.<\/span> <\/div> <\/div> <\/div>
Darrell Thomas<\/div>
11:42 08 Jul 18<\/div>
<\/path><\/svg><\/span><\/path><\/svg><\/span><\/path><\/svg><\/span><\/path><\/svg><\/span><\/path><\/svg><\/span><\/span><\/span> This was the highlight of our trip to Venice. Such a great experience. The performers were very talented, and simply approaching the entrance to the building had a feeling of exclusivity that you may not get at other shows. It's a bit pricey if you don't think you'll be returning to Venice to use your membership for future shows, but it's still worth every penny.<\/span> <\/div> <\/div> <\/div> <\/div> Voir tous les avis<\/a> <\/div> <\/div>
\"powered <\/div> <\/div> <\/div> <\/div>[\/vc_column_text][vc_empty_space]\n R\u00c9SERVER<\/span> <\/span>\n <\/span>\n<\/a>[\/vc_column][\/vc_row][vc_row content_width=”grid” content_aligment=”center” css=”.vc_custom_1489690702348{margin-top: 64px !important;margin-bottom: 64px !important;}”][vc_column width=”1\/3″][vc_single_image image=”263″ img_size=”full” style=”vc_box_circle”][\/vc_column][vc_column width=”7\/12″ offset=”vc_col-sm-offset-1″][vc_empty_space height=”110px”][vc_column_text]<\/p>\n

\u00ab Quatre musiciens r\u00e9ussissent \u00e0 ce qui n\u00e9cessite normalement un orchestre complet… ceci est une toute nouvelle exp\u00e9rience : vivre de grandes voix si proches et \u00e9motions si fortes \u00bb
\n<\/em><\/h1>\n

WELTEXPRESS<\/span><\/em><\/p>\n

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Le Barbier de S\u00e9ville<\/h1>\n

Op\u00e9ra-comique en deux actes<\/span>
\nmusique Gioachino Rossini<\/span>
\nlivret Cesare Sterbini<\/span><\/p>\n

[\/vc_column_text][vc_empty_space][vc_row_inner][vc_column_inner width=”1\/2″ css=”.vc_custom_1500575421235{border-left-width: 1px !important;padding-top: 8px !important;padding-bottom: 8px !important;border-left-color: #cc9933 !important;border-left-style: solid !important;}”][vc_column_text]Le Barbier de S\u00e9ville<\/em> est un op\u00e9ra lyrique de Gioacchino Rossini sur un livret de Cesare Sterbini d\u2019apr\u00e8s la pi\u00e8ce du m\u00eame nom de Pierre Augustin Caron de Beaumarchais.
\nL\u2019action se d\u00e9roule au XVIIe si\u00e8cle, les salles du Palais Barbarigo Minotto sont donc un d\u00e9cor id\u00e9al naturellement enrichi par son magnifique mobilier baroque.
\nLes deux actes sont accomplis dans trois salles diff\u00e9rentes : le Portego (hall central), la Salle Tiepolo et la chambre avec alc\u00f4ve; pendant l\u2019entracte vous pourrez appr\u00e9cier la beaut\u00e9 des salles qui donnent sur le Grand Canal.
\nLa structure architecturale du palais, avec ses nombreuses portes en bois pr\u00e9cieux, permet aux artistes de se d\u00e9placer en utilisant tout l\u2019espace sc\u00e9nique \u201c \u00e0 la ronde \u201d faisant pleinement participer le public \u00e0 la f\u00eate des \u0153uvres de Rossini.
\nLes espaces sont \u00e9clair\u00e9s par des bougies et les costumes raffin\u00e9s, con\u00e7u par Anthony Knight, sont inspir\u00e9s de ceux de l\u2019\u00e9poque et faits avec des tissus de grande valeur.
\nLa mise en sc\u00e8ne hilarante et la virtuosit\u00e9 des chants et des instruments assureront au spectateur une soir\u00e9e de plaisir p\u00e9tillant.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″ css=”.vc_custom_1500575427058{border-left-width: 1px !important;padding-top: 8px !important;padding-bottom: 8px !important;border-left-color: #cc9933 !important;border-left-style: solid !important;}” offset=”vc_col-sm-offset-2″][vc_column_text]QUAND<\/strong>
\nChaque mercredi et dimanche<\/p>\n

DUR\u00c9E<\/strong>
\nEnviron deux heures, y compris l\u2019entracte.
\nLe palais ouvre au public \u00e0 20h00 et le spectacle commence \u00e0 20h30.<\/p>\n

ENTRACTE<\/strong>
\nDans les salles qui donnent sur le Grand Canal, durant l\u2019entracte, nos invit\u00e9s peuvent d\u00e9guster des vins de qualit\u00e9 et des boissons non alcoolis\u00e9es qui leur seront offerts.<\/p>\n

LANGUE DU SPECTACLE<\/strong>
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\u00ab The quality of the music, the splendour of the setting, the power and passion of the singing ! \u00bb<\/h1>\n

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\u00ab Stupendi stucchi affumicati dal tempo, affreschi, sono la cornice perfetta per un tuffo nel passato sull\u2019onda di musiche romantiche e coinvolgenti. \u00bb<\/h1>\n

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\u00ab The music seemed to bounce right off the walls, and the farce made perfect sense in this architectural context. We, the audience, felt a part of it, as if watching this great yet silly work of art play out by candlelight on a chilly, lively evening in 1816. \u00bb<\/h1>\n

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\u00ab Le public s\u2019installe d\u2019abord dans le salon \u00e9clair\u00e9 aux chandelles, autour du petit orchestre de chambre. Les chanteurs lyriques entrent et, doucement, les notes viennent chatouiller les stucs et les ors du palais. Sublime! \u00bb<\/h1>\n

FEMMES D\u2019AUJOURD\u2019HUI[\/vc_column_text]\t\t\t\t\t<\/div>\n\t<\/div>\n<\/div>

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