Programma Conferenze 2019

by info@musicapalazzo.com

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enero 26, 2019

24 febbraio, ore 11
I «peccati di vecchiaia» di Rossini

17 marzo, ore 11
Liszt a Venezia

7 aprile, ore 11
Le donne di Puccini

28 aprile, ore 11
Omaggio a Ruggero Leoncavallo
in occasione del 100° anniversario
della scomparsa

22 settembre, ore 11
Edith Piaf, il «passerotto» di Francia

10 novembre, ore 11
Tosti e la romanza italiana da salotto

24 novembre, ore 11
Wagner e Liszt, «Musica dell’Avvenire»

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Valoración en google

4.7

Palace Music

4.7

Aidan Leach

08:56 21 Oct 18

Simply amazing. We saw the Barber of Seville, and you become part of the opera in its intimate setting. The singing and music was excellent, the old palace rooms that each scene were set in were lovely. Be warned if you sit in the front row, you actually will be involved. Figaro combed my hair, the Count left me with his wine bottle and used me to fend off the attack from the Doctor, and then made stink eyes at me in an overstated comical way for the rest of the night. I have never laughed so hard at the opera!

Ed Zito

08:49 30 Aug 18

Outstanding performance and experience!Usually not a fan of opera but this is different. Up close and personal with great view and seating. You feel like part of the show.A must do!

Kasey Kilgore

03:19 23 Oct 18

An absolutely fantastic experience! An intimate Opera as might have been seen/heard a century ago in the private salon of a Venetian noble.

Frank Levy

20:27 03 Aug 18

Up to the first intermission was good. Then after the second intermission the chairs became way too uncomfortable and it was way too hot. Had to leave as we were very, very uncomfortable. The first section is also the most familiar to non-expert opera attendees. If it was 1/3 the length it would have been perfect. Or better chairs or air conditioning. It was nice and cool at the start but quickly warms up.

Darrell Thomas

11:42 08 Jul 18

This was the highlight of our trip to Venice. Such a great experience. The performers were very talented, and simply approaching the entrance to the building had a feeling of exclusivity that you may not get at other shows. It's a bit pricey if you don't think you'll be returning to Venice to use your membership for future shows, but it's still worth every penny.

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